Figurative Series (2007-2024)

FIGURATIVE-Spring-Dream-51x69-better-image.jpg
FIGURATIVE-Three-Hands-oil-on-canvas-58x58inchesbi-black-and-silver.jpg
FIGURATIVE-hands-and-feet-smaller.jpg
FIGURATIVE-hands-and-feet-in-elevation-at-Hendersonbi.jpg
FIGURATIVE-Sitting-in-the-Canyon-58x58.jpg
FIGURATIVE-abstract-study-defender-72x60brighter.jpg
FIGURATIVE-studio-shot4.jpg
FIGURATIVE-abstract-study-ever-watchful-72x60a.jpg
FIGURATIVE-abstract-study-swim-36x60final.jpg
FIGURATIVE-IMG_6831a.jpg
FIGURATIVE-installation view of Seated Figures in Urban Landscape 36x40inches.jpg
FIGURATIVE-seated-figures-in-urban-landscape-DKFA-commission - Copy.jpg
FIGURATIVE-Commissioned Artwork installation-view-of-Seated-Figures-in-Urban-Landscape-no4 48x66inches.jpg
FIGURATIVE-74x60_Expedition2008_oil_newsprint_charcoal_on_canvas.jpg
147505a4cea30a42dad3b5ef7c7fc937.jpg
FIGURATIVE-48x60_Crouching_Tiger2007_oil_newsprint_charcoal_canvas.jpg
FIGURATIVE-installation-view-crouching-tiger2.jpg
FIGURATIVE-36x30_Sunday_Afternoon2008_oil_mixed_canvas.jpg
FIGURATIVE-48x72_Camp_2009_oil_canvasREVISED.jpg
FIGURATIVE-24x24-cross-legged.jpg
FIGURATIVE-24x24_The_Couple_2008__oil_mixed_canvas.jpg
FIGURATIVE-sit.jpg
FIGURATIVENStaker_40x24_orange_face_2009_oil_on_canvas_STUDIO_VISIT2.jpg
FIGURATIVE-wop-2012figure-study-radiate-18x18-2012aBETTER-IMAGE.jpg
FIGURATIVE-wop-2012figure-study-sleep-18x18-2012BETTER-IMAGE.jpg
FIGURATIVE-wop-2012figure-study-3-hands-BETTER-IMAGE.jpg
FIGURATIVE-22x15_Hold2008_oil_newsprint_charcoal_gessoed_paper.jpg
FIGURATIVE-22x15_Stage2008_oil_newsprint_charcoal_gessoed_paper.jpg
50d3cf3979387a60108d1155cf8f5159.jpg
FIGURATIVE-20x15_purple_figure2008_watercolor_gouache_oil_stick_collage_paper.jpg
FIGURATIVE-cat-in-landscape.jpg
FIGURATIVE-ey_figure1_2008_gouache_oil_stick_paper.jpg
FIGURATIVE-15x10_Untitled_blue_figure_gouache_oil_stick_paper_2008.jpg

I saved all my figure drawings from art school and began collaging them into my paintings and works on paper twenty years later.

Figure drawing has always been one of my favorite practices. I am especially partial to hands and feet and am forever intertwining the figure into my work, abstracting it, deconstructing it, and putting it back together again.